I’ve been tatting a lot on the bus and train recently. I decided to work on something that had the possibility of becoming a larger piece, while still being portable and easy to memorise. I have a terrible habit otherwise of not having a pattern in mind to start, and then faffing about – taking forever to find one, and in the meantime sitting bored, on the train…

If you’re a tatter – and you’re familiar with Mary Konior, you’ll recognise this design as one of hers, from Tatting with Visual Patterns…

I really like this pattern – interesting enough, without becoming boring and… you do need to pay some attention too:

If you don’t, you might end up switching from the train to the bus, and find yourself impatient to start- only to find you’ve made a wrong join, and need to adapt it into something new… (It’s pretty hard to unpick a ring in size 80 thread on a bus on London’s bumpy streets, so if I go wrong, I consider it lost). And thus we have Mary Konior’s little known triangle design right there.

All of which makes it fun when you finish up the very last bit. It’s like Russian roulette – the thought of going wrong right at the last minute is occasionally too much to bare.

In the end, I decided to make the group of four twice. I didn’t love the first version – wasn’t as neat as it could’ve been. Second time was much neater – although after blocking maybe you can’t tell? I think you probably can though, and besides, it was nice to just tat a pattern with out a big decision as to what to make next.

(Sorry for the dodgy colours on these photos, by the way).

I do have a plan for these. Now i have a sewing machine (Singer, handcranked, reconditioned from the 1930’s – an inheritance from a kindly neighbour), I’m going to… well. Make a few odds and ends. They will only be things that need simple stitching in straight lines, as that’s all I can do, and all the machine can do, but it and I will have fun together. I hope.

In the meantime, what to tat on the train? Same again but bigger? We shall see.